Search Results for agency_names:"Copyright Royalty Board"

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Search Results: agency_names:"Copyright Royalty Board"

  • Type:Rule
    Citation:90 FR 1884
    Reading Time:about 58 minutes

    The Copyright Royalty Judges have issued a decision on how to interpret a regulation about β€œGross Proceeds” for royalty payments under the 17 U.S.C. 112 license. This interpretation was needed due to a dispute between SoundExchange and Music Choice about how much Music Choice should pay in royalties for using digital sound recordings in business establishments. The Judges concluded that all fees and payments should be considered in these "Gross Proceeds," except certain in-kind payments, which only count if they're strictly for helping with the business service's operation. This decision was made to clarify the ambiguity in the existing regulations and ensure fair compensation for the use of music in business settings.

    Simple Explanation

    The judges made a decision on how much money a company needs to pay when it plays music in stores, saying all money it earns counts, except for things that help run the service. This ensures everyone gets paid fairly when their music is used.

  • Type:Rule
    Citation:86 FR 6568
    Reading Time:about 17 minutes

    The Copyright Royalty Judges from the Library of Congress have amended regulations to revise how digital music providers pay for the costs of a mechanical licensing collective. This change aims to make the payment process fairer, particularly for smaller music licenses and download services, without altering the total fees. Starting in 2021, these fees will involve a flat rate for smaller licensees and those operating download stores, while larger users will face different rules. These amendments provide more flexibility and clarity in how these fees are allocated and paid.

    Simple Explanation

    Imagine there's a group in charge of giving out music stickers, and they decided to change how much everyone has to pay for them. They made it fairer so small sticker stores don't have to pay as much as big ones, starting in 2021.

  • Type:Proposed Rule
    Citation:90 FR 9224
    Reading Time:about a minute or two

    The Copyright Royalty Board is correcting a proposed rule initially published on December 19, 2024, which concerns digital performance rates and ephemeral recordings for new subscription services from 2026 to 2030. The original document had a mistake in the rate adjustment formulas because it missed some parentheses, making the equations incorrect. This new document fixes those formulas. Comments on the proposed rule can be submitted online until March 12, 2025, using the Copyright Royalty Board's electronic filing system.

    Simple Explanation

    The Copyright Royalty Board wants to make sure music services that play songs online know how much to pay and for how long, but they accidentally messed up the math in their rules and needed to fix it. They are now asking people to give their thoughts on these rules until March 2025.

  • Type:Proposed Rule
    Citation:86 FR 11673
    Reading Time:about 2 minutes

    The Copyright Royalty Judges are proposing an amendment to their regulations to allow flexibility in how they conduct hearings. Traditionally held in person at the Library of Congress, the hearings could also take place at an alternative location or virtually, depending on the situation. This change aims to adapt to the challenges posed by the COVID-19 pandemic, which forced many hearings to shift online. The Judges are inviting public comments on this proposed rule change.

    Simple Explanation

    The Copyright Royalty Judges want to update their rules so that meetings about music and movie payments can happen online, in the big library in Washington, or someplace else. They are asking people for ideas on how to make this work better.

  • Type:Notice
    Citation:86 FR 1530
    Reading Time:about 2 minutes

    The Copyright Royalty Judges announced that they received notices from SoundExchange, Inc. to audit the financial reports for the years 2017, 2018, and 2019 from several commercial webcasting companies like Cumulus Media and Pandora Media, LLC. This audit is to ensure that the royalties due under certain licenses, which let these companies legally stream digital audio, have been paid correctly. SoundExchange is authorized to do such audits once a year, and they must notify both the companies involved and publish in the Federal Register within 30 days of filing the notice. This notice fulfills that requirement for the audits initiated by SoundExchange.

    Simple Explanation

    In simple terms, some people from a group called SoundExchange want to check if companies like Cumulus Media and Pandora paid the right amount for music they played on the internet in the past. They need to do this check every year to make sure everything is fair.

  • Type:Notice
    Citation:90 FR 9737
    Reading Time:about 2 minutes

    The Copyright Royalty Judges have received notifications from SoundExchange, Inc., indicating their intent to audit the royalty payments made by commercial webcasters Alpha Media LLC and Univision Communications Inc. for the years 2022, 2023, and 2024. The audits are to verify the correctness of the royalty payments according to statutory licenses covering certain digital audio transmissions. This notice in the Federal Register meets the Judges' requirement to publish this information. SoundExchange, as the designated organization, is responsible for collecting and distributing these royalties to relevant copyright owners and performers.

    Simple Explanation

    SoundExchange wants to check if some music companies, Alpha Media and Univision, paid the right amount of money to play songs on the internet in 2022, 2023, and 2024. It's like making sure everyone followed the rules when sharing a big box of candies with friends.

  • Type:Notice
    Citation:86 FR 1531
    Reading Time:about a minute or two

    The Copyright Royalty Judges have received a notice from SoundExchange, Inc. to audit the royalty payments made by Rockbot, Inc.'s Business Establishment Service for the years 2017, 2018, and 2019. This audit ensures compliance with the statutory licensing terms for digital audio transmissions, as per the Copyright Act. SoundExchange is responsible for collecting and distributing these royalties to the rightful owners and performers. The notice of intent to audit was submitted on December 18, 2020, and this summary fulfills the requirement to publish in the Federal Register.

    Simple Explanation

    The people in charge of music royalties got a letter saying they will check the money Rockbot, Inc. paid musicians for playing their songs in 2017, 2018, and 2019. This is to make sure everything is fair and correct.

  • Type:Notice
    Citation:90 FR 3252
    Reading Time:about 2 minutes

    The Copyright Royalty Judges received notices from SoundExchange, Inc. indicating their intent to audit royalty payments from commercial and non-commercial webcasters for the years 2021 to 2023. These audits will examine the accuracy of royalty payments made by companies like Beasley Mezzanine Holdings, iHeartMedia, and Family Stations, Inc., under statutory licenses. SoundExchange is responsible for collecting and distributing these royalties and can conduct such audits once a year to ensure compliance. This notice was published to fulfill the requirement of announcing these intentions in the Federal Register.

    Simple Explanation

    SoundExchange wants to check if some radio companies paid the right money for playing songs in 2021, 2022, and 2023, so they're doing a big review or "audit" to make sure everything is correct. These checks help make sure that the musicians and song creators get paid fairly.

  • Type:Notice
    Citation:86 FR 1530
    Reading Time:about 2 minutes

    The Copyright Royalty Judges have received a notice from SoundExchange, Inc., expressing their intent to audit Music Choice. This audit aims to check the royalty payments made by Commercial Webcasters, Preexisting Subscription Services, and Business Establishment Services for the years 2017, 2018, and 2019. According to the rules, SoundExchange can audit a licensee once a year for the past three years to ensure proper royalty payments. The notice of this audit was filed on December 18, 2020, and must be published in the Federal Register within 30 days.

    Simple Explanation

    In simple terms, the government is letting people know that a company called SoundExchange wants to check if another company, Music Choice, paid the correct amount of money for using music online from 2017 to 2019. This is like making sure everyone pays their share for playing with toys in a playground.

  • Type:Rule
    Citation:86 FR 9462
    Reading Time:about 8 minutes

    The Copyright Royalty Board is updating regulations for its electronic filing system, eCRB. These updates allow attorney designees with approved accounts to file documents electronically on behalf of attorneys. The changes are part of a final rule effective February 16, 2021. The Board also sets guidelines for the use of eCRB passwords and privacy measures to protect sensitive information filed within the system.

    Simple Explanation

    The people in charge of books and movies have made rules so lawyers can use a computer system to send important papers. These changes let special helpers send papers for the lawyers, and everyone needs to be careful with passwords and private stuff.

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