Search Results for agency_names:"Copyright Royalty Board"

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Search Results: agency_names:"Copyright Royalty Board"

  • Type:Notice
    Citation:86 FR 8222
    Reading Time:about 4 minutes

    The Copyright Royalty Board has announced a proposed settlement regarding royalty rates and terms for cable TV systems retransmitting over-the-air broadcasts. Currently, a settlement has been reached to maintain existing royalty rates without quinquennial adjustments for the 2020-2025 period. Input from interested parties is being sought, with comments due by February 25, 2021. This adjustment decision means that cable systems and copyright holders will continue under the current terms unless further objections are raised and accepted.

    Simple Explanation

    The Copyright Royalty Board is suggesting that cable TV companies continue to pay the same amount of money to show TV and radio programs from big broadcasters until 2025, and they want people to share their thoughts about this plan by February 25, 2021.

  • Type:Notice
    Citation:90 FR 9737
    Reading Time:about 2 minutes

    The Copyright Royalty Judges have received notifications from SoundExchange, Inc., indicating their intent to audit the royalty payments made by commercial webcasters Alpha Media LLC and Univision Communications Inc. for the years 2022, 2023, and 2024. The audits are to verify the correctness of the royalty payments according to statutory licenses covering certain digital audio transmissions. This notice in the Federal Register meets the Judges' requirement to publish this information. SoundExchange, as the designated organization, is responsible for collecting and distributing these royalties to relevant copyright owners and performers.

    Simple Explanation

    SoundExchange wants to check if some music companies, Alpha Media and Univision, paid the right amount of money to play songs on the internet in 2022, 2023, and 2024. It's like making sure everyone followed the rules when sharing a big box of candies with friends.

  • Type:Notice
    Citation:90 FR 3252
    Reading Time:about 2 minutes

    The Copyright Royalty Judges received notices from SoundExchange, Inc. indicating their intent to audit royalty payments from commercial and non-commercial webcasters for the years 2021 to 2023. These audits will examine the accuracy of royalty payments made by companies like Beasley Mezzanine Holdings, iHeartMedia, and Family Stations, Inc., under statutory licenses. SoundExchange is responsible for collecting and distributing these royalties and can conduct such audits once a year to ensure compliance. This notice was published to fulfill the requirement of announcing these intentions in the Federal Register.

    Simple Explanation

    SoundExchange wants to check if some radio companies paid the right money for playing songs in 2021, 2022, and 2023, so they're doing a big review or "audit" to make sure everything is correct. These checks help make sure that the musicians and song creators get paid fairly.

  • Type:Notice
    Citation:86 FR 1530
    Reading Time:about 2 minutes

    The Copyright Royalty Judges have received a notice from SoundExchange, Inc., expressing their intent to audit Music Choice. This audit aims to check the royalty payments made by Commercial Webcasters, Preexisting Subscription Services, and Business Establishment Services for the years 2017, 2018, and 2019. According to the rules, SoundExchange can audit a licensee once a year for the past three years to ensure proper royalty payments. The notice of this audit was filed on December 18, 2020, and must be published in the Federal Register within 30 days.

    Simple Explanation

    In simple terms, the government is letting people know that a company called SoundExchange wants to check if another company, Music Choice, paid the correct amount of money for using music online from 2017 to 2019. This is like making sure everyone pays their share for playing with toys in a playground.

  • Type:Rule
    Citation:86 FR 9462
    Reading Time:about 8 minutes

    The Copyright Royalty Board is updating regulations for its electronic filing system, eCRB. These updates allow attorney designees with approved accounts to file documents electronically on behalf of attorneys. The changes are part of a final rule effective February 16, 2021. The Board also sets guidelines for the use of eCRB passwords and privacy measures to protect sensitive information filed within the system.

    Simple Explanation

    The people in charge of books and movies have made rules so lawyers can use a computer system to send important papers. These changes let special helpers send papers for the lawyers, and everyone needs to be careful with passwords and private stuff.

  • Type:Rule
    Citation:90 FR 1884
    Reading Time:about 58 minutes

    The Copyright Royalty Judges have issued a decision on how to interpret a regulation about β€œGross Proceeds” for royalty payments under the 17 U.S.C. 112 license. This interpretation was needed due to a dispute between SoundExchange and Music Choice about how much Music Choice should pay in royalties for using digital sound recordings in business establishments. The Judges concluded that all fees and payments should be considered in these "Gross Proceeds," except certain in-kind payments, which only count if they're strictly for helping with the business service's operation. This decision was made to clarify the ambiguity in the existing regulations and ensure fair compensation for the use of music in business settings.

    Simple Explanation

    The judges made a decision on how much money a company needs to pay when it plays music in stores, saying all money it earns counts, except for things that help run the service. This ensures everyone gets paid fairly when their music is used.

  • Type:Proposed Rule
    Citation:86 FR 11673
    Reading Time:about 2 minutes

    The Copyright Royalty Judges are proposing an amendment to their regulations to allow flexibility in how they conduct hearings. Traditionally held in person at the Library of Congress, the hearings could also take place at an alternative location or virtually, depending on the situation. This change aims to adapt to the challenges posed by the COVID-19 pandemic, which forced many hearings to shift online. The Judges are inviting public comments on this proposed rule change.

    Simple Explanation

    The Copyright Royalty Judges want to update their rules so that meetings about music and movie payments can happen online, in the big library in Washington, or someplace else. They are asking people for ideas on how to make this work better.

  • Type:Rule
    Citation:89 FR 96904
    Reading Time:about 3 minutes

    The Copyright Royalty Judges have announced a new value adjustment for the royalty rates paid by webcasters for playing sound recordings. Effective from January 1, 2025, to December 31, 2025, the rates account for changes in living costs. For commercial webcasters, the rate is set at $0.0032 per subscription performance and $0.0025 per nonsubscription performance. Noncommercial webcasters will pay $1,000 per channel annually, plus $0.0025 per performance for plays beyond a monthly limit of 159,140 listener hours.

    Simple Explanation

    The people in charge of music rules decided to change the money online radio stations pay to play songs because things cost more now. Starting in 2025, big stations will pay a small amount for each song played, while small ones pay a bit for lots of songs.

  • Type:Proposed Rule
    Citation:89 FR 103722
    Reading Time:about 20 minutes

    The Copyright Royalty Judges are proposing new regulations for the digital performance of sound recordings and making transient copies by new subscription services for the years 2026 to 2030. These regulations will determine how royalty rates are calculated for music services provided as part of TV packages, like cable or satellite, with a key change being the annual adjustment of fees based on inflation. Interested parties can comment or object to these proposed rules by January 21, 2025. Additionally, the changes incorporate the existing framework but include some updates, such as using proxy data to distribute royalties when licensees fail to report use data.

    Simple Explanation

    Imagine you have a favorite music app that you pay to use. The people who make rules about how musicians get paid for their songs want to change how these payments are calculated from 2026 to 2030. They want to make it fair with new rules, and everyone has until January 21, 2025, to share their thoughts on these changes.

  • Type:Notice
    Citation:89 FR 105635
    Reading Time:about 2 minutes

    The Copyright Royalty Judges are starting a process to adjust the fees for cable companies who want to retransmit TV and radio broadcasts, as outlined in the Copyright Act. This process involves a specific license that allows for such retransmissions, and cable companies have to pay royalties based on the money they make from subscribers. The new rates need to be adjusted every five years, and since no one requested a change for 2025 yet, the Judges are required to announce this process and are asking interested parties to submit their requests to participate by January 27, 2025, using an online form and paying a fee.

    Simple Explanation

    The Copyright Royalty Judges are planning to change the rules for how much money cable companies have to pay to show TV shows and radio programs, and they are asking people who are interested to tell them by the end of January.

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