Search Results for agency_names:"Copyright Royalty Board"

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Search Results: agency_names:"Copyright Royalty Board"

  • Type:Proposed Rule
    Citation:89 FR 103722
    Reading Time:about 20 minutes

    The Copyright Royalty Judges are proposing new regulations for the digital performance of sound recordings and making transient copies by new subscription services for the years 2026 to 2030. These regulations will determine how royalty rates are calculated for music services provided as part of TV packages, like cable or satellite, with a key change being the annual adjustment of fees based on inflation. Interested parties can comment or object to these proposed rules by January 21, 2025. Additionally, the changes incorporate the existing framework but include some updates, such as using proxy data to distribute royalties when licensees fail to report use data.

    Simple Explanation

    Imagine you have a favorite music app that you pay to use. The people who make rules about how musicians get paid for their songs want to change how these payments are calculated from 2026 to 2030. They want to make it fair with new rules, and everyone has until January 21, 2025, to share their thoughts on these changes.

  • Type:Notice
    Citation:89 FR 105635
    Reading Time:about 2 minutes

    The Copyright Royalty Judges are starting a process to adjust the fees for cable companies who want to retransmit TV and radio broadcasts, as outlined in the Copyright Act. This process involves a specific license that allows for such retransmissions, and cable companies have to pay royalties based on the money they make from subscribers. The new rates need to be adjusted every five years, and since no one requested a change for 2025 yet, the Judges are required to announce this process and are asking interested parties to submit their requests to participate by January 27, 2025, using an online form and paying a fee.

    Simple Explanation

    The Copyright Royalty Judges are planning to change the rules for how much money cable companies have to pay to show TV shows and radio programs, and they are asking people who are interested to tell them by the end of January.

  • Type:Rule
    Citation:90 FR 1884
    Reading Time:about 58 minutes

    The Copyright Royalty Judges have issued a decision on how to interpret a regulation about β€œGross Proceeds” for royalty payments under the 17 U.S.C. 112 license. This interpretation was needed due to a dispute between SoundExchange and Music Choice about how much Music Choice should pay in royalties for using digital sound recordings in business establishments. The Judges concluded that all fees and payments should be considered in these "Gross Proceeds," except certain in-kind payments, which only count if they're strictly for helping with the business service's operation. This decision was made to clarify the ambiguity in the existing regulations and ensure fair compensation for the use of music in business settings.

    Simple Explanation

    The judges made a decision on how much money a company needs to pay when it plays music in stores, saying all money it earns counts, except for things that help run the service. This ensures everyone gets paid fairly when their music is used.

  • Type:Rule
    Citation:89 FR 96904
    Reading Time:about 3 minutes

    The Copyright Royalty Judges have announced a new value adjustment for the royalty rates paid by webcasters for playing sound recordings. Effective from January 1, 2025, to December 31, 2025, the rates account for changes in living costs. For commercial webcasters, the rate is set at $0.0032 per subscription performance and $0.0025 per nonsubscription performance. Noncommercial webcasters will pay $1,000 per channel annually, plus $0.0025 per performance for plays beyond a monthly limit of 159,140 listener hours.

    Simple Explanation

    The people in charge of music rules decided to change the money online radio stations pay to play songs because things cost more now. Starting in 2025, big stations will pay a small amount for each song played, while small ones pay a bit for lots of songs.

  • Type:Rule
    Citation:86 FR 6568
    Reading Time:about 17 minutes

    The Copyright Royalty Judges from the Library of Congress have amended regulations to revise how digital music providers pay for the costs of a mechanical licensing collective. This change aims to make the payment process fairer, particularly for smaller music licenses and download services, without altering the total fees. Starting in 2021, these fees will involve a flat rate for smaller licensees and those operating download stores, while larger users will face different rules. These amendments provide more flexibility and clarity in how these fees are allocated and paid.

    Simple Explanation

    Imagine there's a group in charge of giving out music stickers, and they decided to change how much everyone has to pay for them. They made it fairer so small sticker stores don't have to pay as much as big ones, starting in 2021.

  • Type:Notice
    Citation:86 FR 325
    Reading Time:about 2 minutes

    The Copyright Royalty Judges have started a process to determine fair rates and terms for making and distributing phonorecords from January 1, 2023, to December 31, 2027. Interested parties who want to participate must file a "Petition to Participate" using the Copyright Royalty Board's online system and pay a $150 fee by February 4, 2021. The process is part of the statutory license outlined in 17 U.S.C. 115 and happens every five years. Legal representation is required unless an individual chooses to represent themselves.

    Simple Explanation

    The Copyright Royalty Judges are deciding how much it should cost to make and share music records from 2023 to 2027. People who want to say what they think about these prices and rules need to sign up and pay $150 by a certain date.

  • Type:Proposed Rule
    Citation:90 FR 9224
    Reading Time:about a minute or two

    The Copyright Royalty Board is correcting a proposed rule initially published on December 19, 2024, which concerns digital performance rates and ephemeral recordings for new subscription services from 2026 to 2030. The original document had a mistake in the rate adjustment formulas because it missed some parentheses, making the equations incorrect. This new document fixes those formulas. Comments on the proposed rule can be submitted online until March 12, 2025, using the Copyright Royalty Board's electronic filing system.

    Simple Explanation

    The Copyright Royalty Board wants to make sure music services that play songs online know how much to pay and for how long, but they accidentally messed up the math in their rules and needed to fix it. They are now asking people to give their thoughts on these rules until March 2025.

  • Type:Notice
    Citation:86 FR 325
    Reading Time:about 2 minutes

    The Copyright Royalty Judges have started a new process to decide on fair rates and rules for using certain copyrighted works in public broadcasting from January 1, 2023, to December 31, 2027. Organizations interested in participating need to submit a Petition to Participate with a $150 fee using the eCRB online system by February 4, 2021. This proceeding occurs every five years and aims to set guidelines for the reproduction, distribution, and display of these works. Only licensed attorneys or individuals representing themselves can appear in this process.

    Simple Explanation

    The Copyright Judges are deciding how much money public TV and radio stations need to pay to use certain songs or shows from 2023 to 2027, and they want people to tell them what they think by signing up and paying $150. But it can be tricky for some people if they don’t have a computer or enough money.